Into the Blank Where Life Is Hurled
By
Ken Scholes
A sudden, sharp increase in the room’s temperature signaled the Fallen’s arrival, and William scrambled to the floor to prostrate himself. He averted his eyes, hearing the door the open, and waited as the sweat trickled down his sides. Soft footfalls passed his desk and he risked a glance up. The Fallen strode through the office, arrogant and nude, the stubs on its back twitching as if with memories of flight. William held his breath as it opened Fisk’s door and slipped inside. Then, he waited to a count of twenty and returned to his desk.
The un-crowded newsroom remained silent though a hundred questions begged for asking. The Fallen…here? Why? Did you see its eyes? No…never, never the eyes. The temperature dropped a hair and William went back to the paper he’d been doodling.
He’d intended it to be a poem. The words rarely came to him but when they did, his fingers looked for release to no avail. In this place, pencil leads broke, words ran together, ink faded and all lines of literary endeavor bled into a meaningless puddle of bits and blotches. The only stories he wrote now…the only stories he was allowed to write…were the meaningless drivel the Gazette required of him.
Long ago, before the War that brought him here, he remembered a blossoming career as a novelist. Tales of the fantastic and supernatural. Now, words haunted him like unrequited love.
For five minutes longer, he fiddled with the paper. The temperature shot up as Fisk’s door opened again and William joined the others on the floor. The Fallen rarely traveled to this ring and to his knowledge, they’d never visited this building before today. This was the second he’d ever encountered.
He waited, listening to the footfalls, heard them stop at his desk, and forced his eyes open to confront the bare feet before him. The Fallen hissed, then continued on its way. As it left the building, the scattered collection of reporters and support staff released held breath and the temperature returned to normal.
“Hodgson…my office. Now.”
William climbed slowly to his feet and let them carry him to toward Vernon Fisk’s voice. The others looked at him, faces still pale.
“Be a good chap and close the door,” Fisk said from behind his desk, waving half of a cigar at an empty chair. William pulled it shut and sat down. “Still taking stabs at your passion, eh?”
Surprised, William realized that he still held the pencil and scrap of paper tightly in his fist. “I’m sorry, sir.”
“No need, no need.” Fisk leaned forward. He was a fat man, his face pocked and perpetually slick with sweat. “I was a brewer you know. Brewed great beers. Even won an award. Of course, down here it comes to nothing. I tried for years before giving up.”
William nodded.
“Well, enough of the past. On to the future.” He nodded towards the door. “You’re probably wondering what that was about. Special assignment…from the top, or from the bottom if you prefer.” He snorted at his own joke. “Story of the century for us, it is.”
The Gazette printed little that was news. During his time with the paper, William had interviewed new arrivals, promoted local gossip, and churned out propaganda on demand.
“Sir?”
Fisk stubbed out his cigar. “Story of the century. Somewhat of a celebrity I’m told, too. I guess you know him; he was after my time.”
“Who, sir?”
“Why…Harry Houdini, that’s who. Just arrived and already at it.”
William’s mind lurched him back to the turn of the century in a different life. A Blackburn stage, an angry mob, an arrogant showman and the equally arrogant young man William had once been. He could still hear the clinking of the shackles.
“Smug bastard,” William said in a low voice. “I’m not surprised.”
Fisk looked up. “Yes, it said you’d met before. I trust it wasn’t a favorable encounter?”
“I was young. He made a challenge; I took him up on it. Went over two hours, he did, but in the end he got out of it.” William chuckled. “Of course, I didn’t see it. Afraid of the mob. I fled the scene and hid out.”
“Well, you’ve got the story. They insisted.”
“An interview then, sir?” Dread crept into him…this was the last person he wanted to sit down with, even for half an hour in one of Hell’s more tolerable rings.
Fisk belly-laughed. “More than that, Hodgson. It seems Mr. Houdini has announced his run for the Ear. You’re to accompany him, chronicle the journey, and return with the story.” Fisk paused. “Well, no guarantees on returning. It is the Ear, of course.”
William knew little about the Ear. Somewhere on some abandoned edge, it supposedly stood alone. Whispered legends traveled the rumor circuit: Few had seen it, few had spoken into its cool, crystal surface. Some believed Michelangelo had carved it on some great Assignment of Grace from Above, guarded by angels as he worked tirelessly. William believed it was most likely bunk.
“But sir, I’m not sure I’m the best – “
Fisk interrupted. “You’re not the best. But They want you. And who am I to deny Them?”
William swallowed. “He’ll take one look at me and that’ll be that, with all due respect.”
“How long’s it been since you met him?”
Time was hard to count here. He did the best math he could. “Over twenty years.”
Fisk grunted. “I’ll book you passage on the Titanic. You’ll leave at dawn for Hellsmouth. Two weeks…enough time for you to grow out that beard of yours, I should think. I don’t think he’ll know you, Hodgson.”
William stood. A heaviness fell over him. Two ghosts rattling their chains from his past. Houdini and the sea. It couldn’t get much worse.
#
Stay tuned next Thursday for Part 2 of Ken Scholes’ award winning story “Into the Blank Where Life is Hurled”. And if you like this story, consider buying the Writers of the Future Release Package at a special price.
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Gary Davis
I have read the first installment of the Ken Sholes piece, Into The Blank Where Where Life Is Hurled, and am underwhelmed – seriously.
jellinger
Hi Gary,
Keep in mind, we’re serializing a work that was never intended to be diced up that way. Ken has won awards for both his short fiction and his novels so, while I appreciate your feedback, perhaps you would consider reserving your judgement until you’ve read the whole thing? The last installment will be published on the 24th of November at which time the whole story will be readable at once.
Gary Davis
Hello there, and I am sorry to seem cruel, but I have always subscribed to the notion that to be good a writer must keep your interest from word one and not wait till it’s all over to get interesting.
jellinger
Gary,
I’m not sure I agree. Writers with that mentality often default to in media res, which is tiresome and kind of like the “junk food” of the literary form. If you care enough to shell out 8 bucks for a novel, you should be willing to read through a few pages in order to allow the author to properly set up the right atmosphere or develop the backstory, or whatever they’ve chosen to do. Expecting “instant entertainment” is perhaps the direction our culture is moving, but its a direction that homogenizes entertainment and I don’t believe that’s a good thing.
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Johan
While I am willing to give Ken a chance, and see the merits of what Jellinger is saying, I must point out that winning an award does not necessarily imply the work is great. There are examples of award-winning work out there that is mediocre at best.
The problem with awards is that we readers are asked to trust the judgements of people we don’t know. Even though they may be writers or editors themselves, judges are still unknown quatities.
Granted, their experience in the field makes them someone we should pay attention to, but that is all–just pay attention and acknowledge their decision. But it is a decision we as readers do not have to share. We know what we like, and we are not as ill-informed or ill-advised about our reading choices as some would think we are.
I have never found Ken to be a magnificient writer–a good writer, but nothing special. Nor would I agree that every award he has won is deserved. As a reader I have often found his work flat and uninspired. However, I am always willing to keep trying a writer to see if they write something I like to read. After all, you are not going to like everything a writer puts out. (For example, I love Ian M Banks, but I don’t like every Culture novel he has written.)
So, I will read Ken’s installments until the end and make my own judgement, regardless or status or awards.
Jordan Ellinger
Thanks for commenting, Johan. You make a lot of good points in your post.
I agree that not every story in a WotF anthology will please every reader. But that’s the beauty of the form, isn’t it? Out of 12-14 stories, you’re always likely to find something you’ll like, even if you have to skip a few stories. I always advise anthology readers that if they don’t care for a story, rather than putting down the book, skip ahead to the next one and see if it’s more to your taste.
As for Ken, specifically, I admit I’m rather biased because he’s a friend, and one of the nicest guys I’ve met, but as he’s achieved more in the short time since he won the contest than many other winners, he must be doing something right!
Johan
You’re welcome, Jordan.
I agree about anthologies. I always skip around to the stories I like. I never put the book down.
As far as awards and judges go, I think I’ll stick to what I said it above. They are judgements, but judgements readers don’t have to share. I have never bought a book or story just because it won an award.
I am sure Ken is a nice guy.
As a reader he does very little for me. But I am sure, one day, he will write a story that really grabs me. (“Lamentation” comes close to really grabbing me. I admit I enjoyed it, somewhat.)
I will continue to look in at what he is doing.