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Nathan
Taylor meeting other Illustrators of the Future winners |
"I'm
not quite sure what I expected when I got off the plane, but
what I found was beyond my highest hopes. I met eleven of the
finest artists I have ever known, and they became some of the
best friends I've ever had. From the time I got into the airport
shuttle with two other contest winners, I felt like I had just
been reunited with a lost family.
All
of us instantly bonded after knowing each other for only minutes,
and that's something that completely blew me away. It wasn't
because I'm generally a reclusive person (I'm not), but rather
because I don't have any friends who live and breathe art the
way I do. So, when I sat down with the other illustrators and
we all automatically fell into conversations about inking techniques,
preferred mediums, and favorite tools, it's little wonder why
I was bouncing with energy all week. The friendships we made
were carved out of stone, and my life is so much fuller for
it.
The
main thing I was hoping to get out of the workshop was insider
information on the book illustration industry, and I was astounded
by how much knowledge they gave us. Ron and Val Lindahn
and Stephen Hickman told us stories from their personal experiences,
told us the processes of applying for jobs and how to handle
(or be handled) by art directors, and answered all the questions
we threw at them with ease. Their intent was to make us a family
by the end of the workshops, and we were.
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Contest judges Stephen Hickman, Ron Lindahn and Val Lakey Lindahn
led the
week-long Illustrators of the Future workshop |
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Contest
judges lecturing and reviewing the art portfolios of the
winners
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What
I didn't expect to get out of the workshops was something that
I had been lacking for some time: motivation. For the longest
time, I've been treading water, artistically, simply drawing
and not moving forward to a goal of any sort. On the first day
of workshops, Ron quoted Frank Kelly Freas who said, "If
you can do anything else besides being an artist, do it."
And for the first time in my life, I thought seriously about
putting my art on the back burner and focusing on a more stable
career as a print-shop owner. I couldn't do it. The very thought
of it almost made me cry, so that's when I knew that I couldn't
go any other direction. Once I knew there was only one way to
go, everything else became clear.
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Nathan Taylor presenting
his illustration for
"The Sword from the Sea" to writer Blake Hutchins
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Because
of that, more than anything else, I returned to my old life
a different man than when I left. Apart from that personal revelation,
the week was like being on a pixie-dust roller coaster. I talked
with David Brin about modern vs. post-modern architecture, I
talked with Kevin J. Anderson about Star Wars, and I listened
to Anne McCaffrey from the back of a room full of writers
and watched a fellow artist muster the courage to ask
the first question. I signed books beside Frederik Pohl, and
we talked about the joys of writing. Brian Herbert told me he
liked my acceptance speech. I ate, drank, and laughed with a
host of literary legends masquerading as ordinary people.
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Booksigning
at the Mysterious Galaxy bookstore in San Diego
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At
the awards ceremony, we all got full star treatment including
a personal hair and make-up artist, tuxedo, a limo to the swanky
Prado restaurant in Balboa Park, lavish meal, and a full gala
event put on by Galaxy Press and Author Services, Inc. Words
cannot describe the feeling of having everyone's eyes on me
as I stepped onto a stage before people who I hold as heroes,
and gave a choked speech of thanks. It took everything I had
not to break down right there. The award itself is so much more
than a pretty mantel piece. It is the dream of nearly every
artist: totally objective verification of skill, and my dream
was made true that night.
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At the awards dinner in San Diego
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It's
also important to note that, while we are all vying for the
coveted Gold Award, we were never competitors. So when Eldar
Zakirov was announced as the grand prize winner, there wasn't
a single ill thought among us. Each of us knew that each of
us deserved the award, and that's something rare to find.
Now,
the authors and the illustrators and the fans who all came out
were wonderful, but I wouldn't be talking about any of that
now if it weren't for the people from Author Services and Galaxy
Press. I was swept off my feet with star treatment from the
start.
I
could go on for pages more about every tiny detail of the week
because they were each so vividly etched in my mind as part
of an experience that has changed me forever. However, if you'll
excuse me, I have some succeeding to do."
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The Writers and Illustrators of the Future Winners and
Judges, 2006
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